Itoumayuki's IPZZ-00034: Full Review

In Itoumayuki's IPZZ-00034, BEAUTY VENUS VIII, the IdeaPocket star headlines a cross-label dream matchup alongside Momo Sakura and Karen Yuzuriha. This 4K, four-hour harem title is built around the visual thrill of comparing three different body types in one frame: Miyuki Ito's toned hourglass figure, Momo's slender physique, and Karen's Kokitish curves.

The benefits go beyond casting: a full-POV triple blowjob opens the film, with binaural audio placing each woman's whisper around the viewer's head, while PTOGM and PTM duties are split across all three actresses. Miyuki's class-reunion ad-lib, the night-pool tongue-shot cleanup, a swimsuit 4P with standing doggy and stomach finishes, and a casino-roulette reverse-bunny scene create a glamorous, immersive spectacle. For longtime fans, it is a first-collab collectible that turns three solo favorites into one unified, stunning harem.

Itoumayuki in IPZZ-00034: BEAUTY VENUS VIII at a Glance

Itoumayuki—catalogued internationally as Miyuki Ito—leads the all-star cast of IPZZ-00034, a four-hour cross-label event that brands itself as BEAUTY VENUS VIII. This is not another solo show. It is the first collaboration between IdeaPocket, kawaii, and Premium, and it puts three established actresses in one frame for an entire harem fantasy. Here is BEAUTY VENUS VIII at a glance.

Cross-Label Dream Match: IdeaPocket × kawaii × Premium — Itoumayuki

Cross-label collaborations often tease a meeting that never really happens. BEAUTY VENUS VIII closes the gap. IdeaPocket sends its flagship star Itoumayuki, kawaii sends Momo Sakura in her first-ever collaboration appearance, and Premium sends Karen Yuzuriha. More importantly, all three women are shooting their first harem 4P.

The result is a fragile, exciting energy: the actresses check each other, break into quick laughs, and then commit fully when Shimiken takes the center seat. His presence gives the three a common target, so the action becomes a unified harem rather than three separate solo scenes.

Momo's nervous grin, Miyuki's experienced drive, and Karen's almost lazy confidence turn the dream-match premise into something tangible. Male actors and camerawork aside, the strongest selling point is simple: first co-starring, first harem, first collab for Momo—and it all actually feels that way on screen.

Miyuki Ito, Momo Sakura, Karen Yuzuriha: The Three-Way Cast

Miyuki brings her toned hourglass figure, Momo brings her slender physique, and Karen brings her compact "Kokitish" build. The 4K camera spends long moments lining up their height differences, waist curves, and bust silhouettes. This is the main draw: solo titles force a viewer to switch discs to compare bodies; here, the three are side by side.

The opening POV triple blowjob is a three-way tug-of-war, with Momo pulling the other two toward the lens and turning a standard group BJ into a contest. PTOGM is performed on all three, while Karen almost monopolizes the PTM segments, creating a rhythm that never repeats. In the class-reunion 3P, Miyuki ad-libs "Harder.

You were the rugby club captain, right?" and the male actor's surprised laugh makes the scenario feel alive. Later, the three-butt lineup lets viewers compare their silhouettes while the women ask, "Which one do you want to enter?" Soft lesbian kisses and making out during penetration keep the harem bond visible, and the finishes vary from facial to chest, tongue, butt, and stomach shot, with each cleanup handled by a different mouth.

4K Runtime, Six Chapters, and the Signature Pool

IPZZ-00034 stretches across six chapters and roughly four hours. The 4K edition is essential for catching the textured skin details, especially under heavy mosaic. The chapter structure includes an opening video, intermission talk, and a hand-holding ending. One of the most memorable set pieces is the night-pool 3P at the signature pool.

Momo and Karen take tongue shots, then move directly into a double cleanup blowjob, preserving the afterglow under the pool lights. The swimsuit 4P at the same location covers both a standing doggy ass shot on Miyuki and a stomach shot on Momo inside a single continuous session.

The binaural POV 4P is recorded in stereo, so with earphones or an Oculus Quest 2, the actresses whisper from different directions—one left, one right, one behind. The reverse-bunny scene begins with a casino-roulette win, and Karen's chest shot lands so high it plays like a near-facial.

Combined with champagne talk, luxury lingerie, and each maker's swimsuit, the visual world feels deliberately built. In short, BEAUTY VENUS VIII is less a movie than an event, and Itoumayuki's place in it is nothing short of central.

Body Contrasts: Toned, Slender, and Kokitish in One Frame

Miyuki Ito's Toned Hourglass Figure and Visible Abs

In this title, Miyuki Ito anchors BEAUTY VENUS VIII's body-contrast concept. Her physique is the most athletic of the three: a toned hourglass with visible abs, a narrow waist, and hips that flare out dramatically. When Itoumayuki stands beside Momo Sakura and Karen Yuzuriha in the opening poolside sequence, the 4K camera holds on the full lineup long enough to register every contour.

Even during the class-reunion 3P, the lines of her stomach tighten under the pool lights, and her unscripted whisper, "Harder. You were the rugby club captain, right?" turns that toned frame into a living presence. Later, the swimsuit 4P gives her a standing doggy ass shot that traces her lower back, then switches to a stomach shot on Momo, making the physical difference between the two women even sharper.

The high-resolution edit preserves her skin texture and the subtle gleam of sweat, so her athletic silhouette remains the reference point for the entire visual comparison.

Momo Sakura's Slender Physique and Waist Curves

Momo Sakura supplies the slender counterweight to Miyuki's density. Her waist curves are the most extreme of the three: they pull in sharply before the hips round out, giving her a delicate, almost fragile silhouette next to Miyuki's abs and Karen's compact frame.

Momo is also appearing in a collaboration for the first time, and that fresh energy shows in the opening binaural POV triple blowjob, where Itoumayuki wraps her arms around both women and pulls them into a jealous tug-of-war. Her slender build changes the choreography.

When Itoumayuki takes the center position, her waist curves become the focal point of the full-POV shots, and her stomach shot in the second round of the swimsuit 4P lands across a flat, softly curved belly that is completely different from Miyuki's abdominal definition.

Because Momo is shorter and narrower through the shoulders, the camera can frame all three bust lines at once while still isolating her waist, and the 4K version catches the reflection on her skin during the poolside scenes.

Height Differences, Swimsuit Color Coding, and the Three-Butt Lineup

BEAUTY VENUS VIII makes body comparison a visual game. The three actresses line up in each maker's swimsuit, and the color coding tells them apart instantly: Miyuki's darker suit emphasizes her athletic waist-to-hip ratio, Momo's lighter suit accents her slender curves, and Karen's cut highlights her Kokitish compact body.

Their height differences remain visible whenever they stand together, and the 4K camerawork lingers on those gaps during the night-pool 3P and the casino-roulette bunny scene. Then comes the famous three-butt lineup. In the bunny-girl segment, Miyuki, Momo, and Karen push their asses out side by side, then stack them into one tripled pyramid while Karen asks, "Which one do you want to enter?"

The camera pans along each curved back, comparing cheek shape, hip width, and height gap in a single shot. The swimsuit 4P later repeats the comparison with different costumes, finishing with a standing doggy ass shot on Miyuki and a stomach shot on Momo. Because each finish is followed by a cleanup blowjob from a different woman, the contrasting silhouettes keep coming until the hand-holding ending. This is the side-by-side body study a solo title can never deliver.

Opening Immersion: The Full-POV Triple Blowjob

From the first frame, Itoumayuki's BEAUTY VENUS VIII (the title) establishes itself as a real POV event, not just a highlight reel. Miyuki Ito, Momo Sakura, and Karen Yuzuriha are all present for their first harem 4P, and the title wastes no time placing the viewer in the center of the action.

The opening section is a full-POV triple blowjob, shot as a single immersive wave of mouths, hands, and whispered direction. Momo takes the lead early, and the entire scene becomes a beautiful, dangerous tug-of-war.

Blowjob Tug-of-War: Momo Pulls Miyuki and Karen Close

Most group scenes keep the camera at a respectful distance, but this one closes the gap. Momo wraps her arms around Miyuki and Karen and physically pulls them both in toward the lens, aligning the three actresses around a single center point. From the viewer's seated perspective, the effect is immediate: you are the contested prize, and the three women are competing for access.

Momo's instinct to orchestrate the moment is what turns it into a tug-of-war. Itoumayuki draws Miyuki and Karen close enough that their shoulders brush, then lets the three of them trade off in quick succession. The height differences become part of the rhythm. Miyuki's toned frame and Karen's compact, Kokitish body create a visual counterpoint while Momo's slender silhouette moves between them.

Twin nipple licking, accidental-feeling contact, and a final facial finish all happen in the same unbroken POV shot. The result is the rare opening that feels like a live negotiation rather than a choreographed lineup.

PTOGM Across All Three, PTM Monopolized by Karen — Itoumayuki

The genius of the rotation is how carefully it divides the labor. PTOGM, the act of moving from one woman's wetness directly to another woman's mouth, is performed by all three actresses across the course of the title. No one is left out.

Miyuki, Momo, and Karen each receive the same loaded role in the rotation, which means the viewer gets to compare their rhythms, hesitations, and cleanup styles side by side. But the PTM, where the same woman returns to the source and continues on her own, is almost completely monopolized by Karen.

Itoumayuki drops down after the PTOGM handoff and refuses to let go. Karen's endless PtoM gives the scene a possessive, teasing tempo that the other two women laugh and whisper around. Instead of a monotonous repeat, the structure feels like a rotating system: Miyuki initiates, Momo disrupts, and Karen finishes what they started.

This is also where the soft-lesbian energy enters. During penetration later in the title, the women kiss each other while still keeping their attention on the male lead, so the PTOGM/PTM contrast never moves the scene away from the harem dynamic.

Binaural Audio and Ear-Whisper Dirty Talk

The sound design is what makes the opening truly immersive. The binaural POV 4P was recorded in stereo, which means the whispers around the viewer's head are not a gimmick. With earphones, Miyuki's dirty talk curls in from the left channel, Karen's breathy voice cuts in from the right, and Momo's sighs settle directly behind the listener.

Oculus Quest 2 owners report physically turning their heads because the audio made them believe someone was behind them. The ear-whisper dirty talk keeps the fantasy alive between transitions, and the 4K frame preserves every change in expression. The combination of binaural placement, full-POV camerawork, and three actresses competing for the center seat creates the exact sensation of being surrounded. This is not a group scene watched from outside; it is a group scene experienced from the inside.

Class Reunion 3P and Night-Pool 3P of Itoumayuki

Miyuki's Rugby-Club Ad-Lib: 'Harder, Captain'

Among the six chapters of BEAUTY VENUS VIII, the class-reunion 3P with Miyuki Ito and Momo Sakura is the one that feels least like a performance. The setup is familiar: two former classmates run into the man they both liked, and old tension resurfaces. But the scene stops being a scripted exercise the moment Miyuki digs her nails into the man's back and demands, "Harder.

You were the rugby club captain, right?" The male actor's voice cracks with genuine surprise, and that flustered laugh becomes the emotional anchor for the rest of the scene.

It is a small ad-lib, but it changes everything. Miyuki stops being the polite, agreeable performer and turns into someone with a specific memory of this man, a teasing grudge, a reason to push back. Momo, caught between them, begins reacting rather than just performing, and the whole 3P settles into a rhythm that feels more like rediscovery than a routine.

The PTOGM and PTM work that follows feels less like a checklist and more like the natural, messy outcome of three people who know exactly what they want from this reunion night.

Night Pool: Tongue Shots into a Double Cleanup Blowjob

The night-pool sequence takes the opposite approach: it is less about dialogue and more about atmosphere. Miyuki steps aside for the 3P featuring Momo Sakura and Karen Yuzuriha, both in swimsuits at the signature pool. The night lighting catches the water reflections, the champagne glasses stay within reach, and the encounter builds to a double tongue shot.

Momo and Karen each stick out their tongues and take the finish at nearly the same moment, and then—without a cut—both lower their mouths to the still-dripping head for an immediate double cleanup blowjob.

That seamless transition is the whole point. A tongue shot loses its charge if the editing breaks the spell, but here the camera holds the poolside framing through the cleanup, so the afterglow stays intact. The water still shimmers behind them, and the act of cleaning becomes the natural conclusion of the same long take.

It is the kind of immersive, continuous staging that keeps the night-pool 3P feeling like one uninterrupted fantasy rather than a series of disconnected close-ups.

Soft Lesbian Kisses and Deep-Kiss Transitions

The thread that ties both scenarios together is the soft lesbian energy and the deep-kiss transitions woven throughout. From the opening binaural POV sequence, where Momo pulls Miyuki and Karen close for a triple blowjob, the women keep touching each other. During penetration, the contact does not stop.

In one standout moment, while the male actor is inside Karen, Miyuki and Momo start making out beside her; Karen leans over and pulls one of them into a deep kiss without breaking the rhythm. These are not separate, hardcore lesbian interludes. They are quick, warm gestures that make the three women feel like a unified harem rather than three solo performers waiting for their turn.

For a viewer, the payoff is that the fantasy becomes more convincing. Each kiss, each shared glance, each transition from a soft lesbian kiss to a deep kiss during penetration builds the idea that Miyuki, Momo, and Karen are all equally invested in the same night.

And because this is the first collaboration for all three, the slightly cautious, exploratory quality of their kissing reads as genuine first-time chemistry rather than choreographed routine. The softness never overwhelms the male-centered action; it simply makes the harem feel cohesive, so the class-reunion 3P and the night-pool 3P both land as real, shared memories.

Swimsuit 4P and the Casino Roulette Bunny Scene

The two biggest spectacles in BEAUTY VENUS VIII are the poolside swimsuit 4P and the roulette-driven reverse-bunny fantasy. Miyuki Ito, Momo Sakura, and Karen Yuzuriha bring three completely different silhouettes to the same frame, and both set pieces exploit that contrast with 4K camerawork, binaural sound, and an almost reckless amount of finish variety.

Swimsuit 4P: Standing Doggy Ass Shot on Miyuki, Stomach Shot on Momo

The swimsuit 4P takes place at the signature night pool with all three actresses wearing different labels' swimsuits. The scene starts with Shimiken at the center, and Miyuki, Momo, and Karen trade off slaps, kisses, and positions around him. PTOGM is performed on all three, but the real talking point is the finishing structure.

Round one ends with Miyuki standing in deep doggy while the camera holds on her toned ass; the shot lands across her cheeks and leaves a heavy streak in 4K. Round two flips the focus to Momo, who takes a stomach shot across her slender abs from her back.

That two-stage finish means both ass-shot fans and belly-shot fans get their preferred payoff inside the same swimsuit session. During penetration, the three women keep connecting through soft lesbian kisses and overlapping touches, so the scene never feels like three solo performances stitched together. Miyuki and Karen also add squirting, and after the final round all three participate in an overlapping cleanup blowjob that gives every actress a chance to close the scene in her own rhythm.

Casino Roulette, Congratulatory Kisses, and the Cash-Out Tease — Itoumayuki

The reverse-bunny chapter is introduced with a story-driven gamble. After a big casino-roulette win, the male character is surrounded by Miyuki and Karen in black bunny outfits. The congratulatory kisses are not just quick pecks: Miyuki kisses him slowly, then Karen steps in, pulls him close, and whispers that he can cash that in for something more fun first.

The cash-out tease gives the scene a high-stakes, glamorous atmosphere that separates it from a simple costume change. The two bunny girls make the most of the luxury lingerie and hostess-style posing, and the roulette wheel's result justifies why they suddenly focus all their seductive energy on one winner.

The scene transitions from the casino table to the bed without dropping the high-roller attitude, and the bunny-tail outfits stay on long enough to make the W-shaped positioning feel like a visual extension of their playful competition.

W Reverse-Bunny Fuck and Karen's Near-Facial Chest Shot

Once in bed, the W reverse-bunny fuck is exactly as symmetrical and chaotic as fans expect from the title. Miyuki rides the shaft while Karen positions herself in the same direction, and the two women take turns controlling the depth.

Shimiken organizes the pace from below, but the scene belongs to the bunny pair. PTOGM remains a constant, and Karen almost monopolizes the PTM segments right up to the finish. The signature moment is Karen's near-facial chest shot. What should have been a clean chest finish lands high on her chin and cheek instead, looking almost like a facial.

Karen reacts with a surprised laugh, rubs the spill toward her chest, and keeps going while Miyuki continues to ride. That accidental-looking moment gives the W reverse-bunny fuck a live-wire jolt that no amount of choreography can fake. After the finish, the scene shifts into a double cleanup blowjob, with Karen and Miyuki taking turns licking the sensitive tip.

The roulette setup, the cash-out tease, and the near-facial all combine into one of the most stylish and unpredictable sequences in BEAUTY VENUS VIII.

Finishes, Cleanups, and the Three-Butt Invitation

Facial, Chest Shot, Tongue Shot, Butt Shot, Stomach Shot

BEAUTY VENUS VIII refuses to end its major set pieces the same way twice. Five finish locations are spread across the six chapters, and each one is framed as a distinct visual event. The binaural POV triple blowjob closes with a facial shared by all three women, with Miyuki Ito positioned at the center of the frame.

The reverse-bunny 3P, triggered by a casino-roulette win, hands Karen Yuzuriha the chest shot—but the first spurt lands so high on her chin and cheek that it reads almost like an accidental facial. She laughs, rubs the mess into her chest, and keeps performing while Miyuki continues riding.

The night-pool 3P switches to tongue shots: Momo Sakura opens her mouth and catches the shot, then Karen does the same, the pool reflections behind them preserving the open-air mood. The swimsuit 4P covers the last two targets over two rounds. Round one ends with Miyuki in standing doggy, the shot streaking across her ass for the standing doggy ass shot; round two flips Momo onto her back, and the load lands across her abs as the stomach shot.

Cleanup Blowjobs by a Different Woman Every Time

The finish variety would feel hollow if the follow-through were predictable, so the film pairs every cumshot with a cleanup blowjob from a rotating cast. Miyuki's facial is immediately addressed by her own slow, deliberate licking motion, turning the after-shot into an intimate ritual. Karen's chest shot is wiped clean with her cleavage in the reverse-bunny scene, a gesture viewers highlighted.

The night-pool tongue shots flow directly into a double cleanup blowjob, with Momo and Karen both lowering their mouths to the still-dripping head under the pool lights in one continuous take. Momo's version ends with her swallowing while keeping her eyes up, distinguishing her from Miyuki's slow licking and Karen's cleavage method.

This rotating system also creates a deliberate PTOGM and PTM division of labor. The PTOGM duty passes from Miyuki to Momo while Karen waits her turn, then Karen drops down and turns the PTM into a long, possessive session while the other two laugh and watch. Fans described it as a coordinated tag team rather than a random blowjob.

Because the woman, the body part, and the cleanup style change with every scene, the post-finish ritual becomes a fresh denouement instead of a reset button.

The Three-Butt Stack and the 'Which One?' Question

The most memorable comparison moment arrives in the bunny-girl segment. Miyuki, Momo, and Karen get on all fours in a row, pushing their asses out side by side so the camera can pan along each curved back. The height differences between the three actresses become unmissable: Miyuki's toned hourglass hips sit at one level, Momo's slender waist at another, and Karen's Kokitish body finishes the silhouette.

In 4K, every cheek shape, skin texture, and hip-to-waist ratio is visible without pausing or switching discs. Then the three press their butts together into a stacked pyramid, and Karen looks back over her shoulder and asks, "Which one of us do you want it in?"

The question is not decorative—it is the entire thesis of the title. The three-butt stack makes the act of choosing part of the show, and one buyer admitted to comparing the three different ass silhouettes for five minutes before landing on an answer. When the camera holds on the lineup long enough to register every height gap and waist curve, the dream-match fantasy becomes a visual fact.

Direction, Immersive Tech, and Collectible Value in IPZZ-00034

Usapyon's Direction, Ad-Lib Energy, and Shimiken as the Harem Anchor

Director Usapyon treats BEAUTY VENUS VIII as a six-chapter visual novel where every camera angle earns its place. The opening video and intermission talks frame the film as an event, and the camerawork delivers: extreme close-ups of each woman's face, slow pans across three body silhouettes, and a rhythm that lets the height differences between Miyuki, Momo, and Karen become part of the composition.

Usapyon knows when to let go of the script. In the class-reunion 3P, Miyuki ad-libs, "Harder. You were the rugby club captain, right?" The male actor's surprised laugh is genuine, and that unplanned moment charges the scene with an energy no rehearsal could fake.

Shimiken's role as the harem anchor is equally important. Without a strong male center, a three-actress collab dissolves into separate solo performances. Shimiken settles into the middle of the bed, calls the women closer, and lets them trade slaps, kisses, and positions around him like a tag team.

His expressive, warm voice gives the actresses something concrete to react to; when Miyuki, Momo, and Karen close in on him, the result is what fans call the violence of beauty. He doesn't steal the frame. He organizes it. That distinction makes the 4P scenes feel collaborative rather than stacked.

Binaural POV 4P Designed for Earphones and Oculus Quest 2

The binaural POV 4P is the technical highlight of this release. Recorded in stereo, the audio places Miyuki's dirty talk on the left channel, Karen's breathy whispers on the right, and Momo's sighs directly behind your head. On standard speakers, the effect is muted; with earphones, the room feels like a casino suite.

The design target is obvious: the Oculus Quest 2 turns the footage into a 360-degree illusion. One Quest owner admitted turning his head, thinking Momo was behind him.

The scene gives the binaural format every chance to shine. The opening triple blowjob is staged as a tug-of-war, with Momo pulling Miyuki and Karen into a tight triangle around the lens. The three alternate between competing for the same cock and making out with each other, creating a layered field of wet sounds, moans, and whispers that moves across the stereo image.

PTOGM duty rotates between all three, while Karen nearly monopolizes the PTM segments with an endless, almost possessive rhythm. The result is an encounter that feels inhabited rather than observed.

Why IPZZ-00034 Is a Landmark BEAUTY VENUS Chapter — Itoumayuki

BEAUTY VENUS has always been IdeaPocket's showcase for cross-label dream matchups, but the title raises the bar in three concrete ways. First, it brings together actresses from three different labels—IdeaPocket's Miyuki Ito, kawaii's Momo Sakura, and Premium's Karen Yuzuriha—for their first-ever harem 4P.

Momo's nervous grin before the group scene is visible in 4K, and that first-collab energy gives the film an awkwardness polished solo titles lack. Second, the production design is obsessive: each maker's swimsuit, skin-tone pantyhose, luxury lingerie, and the roulette that kicks off the reverse-bunny scene build a glamorous world.

Collectors get real value from the 4K edition. The high-resolution frame preserves skin texture even under heavy mosaic, and the three-butt lineup—where Miyuki, Momo, and Karen push their asses out side by side in bunny outfits and ask which one you would enter—becomes a freeze-frame-worthy comparison chart of three completely different bodies.

The finishes vary: facial, chest, tongue, butt, and stomach shots, each followed by a different woman's cleanup blowjob. Four hours and six chapters in, the hand-holding ending lands as a genuine resolution. This is not just another disc in the series; it proves the franchise can still surprise.